![]() ![]() In that sense, I think that the implementation of “Color” and the implementation of “Cut” that can withstand a narrow interface are appropriate, even in the sense of leaving the color as DaVinci Resolve. There are two functions, “Cut” page and “Color” page. There are some opinions on the internet that evaluate only two things negatively, but personally I have a positive impression. In the current direction that prioritizes “reproducibility,” I don’t want to think about using “Edit” and “Fairlight” functions on the iPad’s narrow monitor (unless, of course, it’s optimized). ![]() One can argue that it is a “reproduction of the PC version”, but it is a cramped interface that is difficult to use for a long timeĪs an editing scene, the combination with “Speed Editor” looks good. With integration of the Apple Pencil functionality, are probably many users who admire this vision. ![]() ![]() I don’t feel much compromise between UI and tablet. There are some menus written in text that have been converted into icons, but if anything, I don’t think it’s something that considers visibility and operability because it’s “because it can’t fit in text.” I guess it’s all about “reproducibility”. First lookĪt first glance, DaVinci Resolve for iPad looks like it’s just a separate laptop monitor running DaVinci Resolve. That’s when DaVinci Resolve for iPad came out with “all functions.” How will this affect the industry? Let’s take a look at its contents. There are many things that go in the simplistic direction of smartphones, but those who expect it lament that the implementation of the “daring simplification” is also lacking in functionality.Īs far as I’m concerned, currently, the only tablet device that retains the goodness of a tablet while still being highly functional is LumaFusion from Luma Touch ( image below). However, although some editing software for tablets has come out so far, it is difficult to determine the direction app designers are going. What about tablets? There is still no answer to this question. But it’s probably a device that holds a lot of promise. For example, in the case of smartphones, the operation is as simple as possible, the UI is large and easy to operate, and the effect effect that gives eye-catching decorations is the standard. The functionality change depending on the usability and usage. What are the issues with the iPad version?ĭevices for editing videos have spread to various things. Not only dedicated devices and PCs, which are rarely seen anymore, but also smartphones. Regarding DaVinci Resolve, I have been using it since Ver.8, which became easier to obtain due to the acquisition of DaVinci Systems by Blackmagic Design in September 2009.Īs for the iPad, I like the iPad so much that I bought about 7 units, including multiple units of the same generation for my family from the first generation. I actually wrote this article mostly on an iPad. I believe that this iDR will bring a stir to one of the issues facing NLE, and I think it is one of the turning points. I want to write a review from that point of view this time. I have experienced the use side/creation side/selling side/construction side/teaching side, and have seen several turning points since the NLE Genesis. To introduce myself, I am a middle aged man who has been working in the NLE (Non Linear Editor) industry for 30 years. I would like to leave the verification such as benchmarking to other video sites, and write about “how to use” in this article. It has been a hot topic even before it was shipped, and was hyped up regardless of its specific use. The editing software “DaVinci Resolve for iPad” (hereafter: iDR) that appeared for iPad and other tablets was released on December 22, 2022. What are the issues with the iPad version?. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |